I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.
If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes.
Labeling makes the invisible visible, but it's limiting. Categories are the enemy of connecting. Link, don't rank.
Experience without theory is blind, but theory without experience is mere intellectual play.