THE ASPECT RATIOS AND CINEMATOGRAPHERS OF
STEVEN SPIELBERG
2012
20n
20n
2008
2005
2005
2004
2002
2002
200 i
1998
'997
1997
1993
1993
1991
1989
1989
1987
198S
1984
1983
1982
198'
1979
'977
1975
Lin coln
War Horse
The Adventures of Tintin
Indiana Jones
Munich
War of the Worlds
The Terminal
Catch Me If You Can
Minority Report
Å.I. Artificial Infelligence
Saving Privafe Ryan
The Losi World: JP2
Schindler's Lisi
Jurassic Park
Hook
Always
Indiana Jones 3
Empire of Sun
The Color Purple
Indiana Jones 2
Twilighf Zone (PT2)
Raiders of Losi Ark
1941
Close Encounfers
Jaws
The Sugarland Express
2.35
2.35
2.35
2.35
2.35
2.35
1.85
2.95
2.35
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Janusz Kaminski
Dean Cundey
Dean Cundey
Mikael Salomon
Douglas Slocombe
Allen Daviau
Douglas Slocombe
Allen Daviau
Allen Daviau
Douglas Slocombe
William A. Fraker
'lmos
Bill Butler
Vilmos Zsigmond
Spielberg's last five films have all been
2.35, but only one was anamorphic
("Indiana Jones 4", which was
anamorphic to match the rest of the
Indiana Jones series)
14 out of 18 of Spielberg's films
between 1982 and 2005 were shot 1.85
spherical, with exceptions only for two
"Indiana Jones" films, "Hook" and
"Minority Report".
19931s "Schindler's List" marked the
beginning of Spielberg's relationship
with cinematographer Janusz Kaminski.
Spielberg has made his last 14 films
with Kaminski.
Spielberg's first five features were all
shot 2.35 anamorphic. Only 4 out of his
next 18 films would be shot with
anamorphic lenses.
2.35
2 35
QTVAZIRI
FXRant.blogspot.com
anamorphic
spherical Oscar Nomination
Oscar Winner
spherical
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