Being a twin, and knowing if my twin was gone or lost - that's a part of me. There's no way I could be the same person knowing my brother had passed away. Votes: 20
My first time ever on the Tony Awards was in 1984, the year of 'The Rink.' Votes: 12
Twelve Angry Men' was done with an intermission, and I took that out. I really wanted an audience to feel like they had no break, just like those jurors, and you're not going to get out of that room until you come to a decision. Votes: 8
The night before 'The Elephant Man' opened, we had a sleepover for 12 kids. Being organized is the key. Votes: 7
You can't live like a monk if you have two five-year-old twins. That ain't happening. Just the opposite, actually. Votes: 6
I get to choose the people I work with. Votes: 6
Casting, to me, is always the same. It's a very important part of a director's job. I pick people that I sense I'd like to be in a room with and will enjoy the rehearsal process with because that's the best part. Votes: 6
I'm big on research. I love research, so I tend to do a lot of reading. Votes: 6
The theatre show-biz types don't change much, no matter what era we're in. The question of how you balance being in show business with your personal life isn't very different. Votes: 5
After raising twins, you get organized. Votes: 5
The challenge of a revival is how to bring something fresh. The reward is the opportunity to add different flourishes. You're dealing with different actors, designers and a different time. Votes: 3
Actors are smart. They have to feel safe enough to fall and to get back up. My job is to make sure they don't get hurt. Votes: 2
I feel that once you go into rehearsal, you need to focus on the show in the room. Votes: 2
My directing style has changed over the years. I allow things to breathe a lot more. Votes: 2
A bad laugh is a laugh for the sake of a laugh that's out of character. Votes: 2
When you're working on a play like 'Sloane,' that play works; you don't have to worry about that. When you're working on a new play like 'Little Dog,' you have no clue if the play works. You're exploring. Votes: 2
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different. Votes: 1